Pard Morrison’s modestly scaled aluminum fabrications are whispered meditations on the language of hard-edged painting and architectural space. Working with a singularly deadpan palette reminiscent of Necco candy wafers, Morrison slyly subverts what, at first glance, appears to be decorative riffs on Minimalism. But the work rewards concentrated looking, revealing smartly edited commentary on painting’s flatness and its materiality.
JULIA COUZENS