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Inde/Jacobs
inde/jacobs is in a space designed by Claesson Koivisto Rune of Stockholm. The building exemplifies the minimalist vernacular.
Donald Judd / Untitled
Donald Judd / Dan Flavin & others
Limited edition artwork by Donald Judd, Dan Flavin & other artists associated with the Chinati Foundation.
Vija Celmins Night Sky Reversed II
Beck / Hunt / Vissers/ Mitchell / marden / +
Artwork that focuses on materials and their manipulation. Secondary market: Celmins, Marden, Mitchell +
Inde/jacobs
V I L I S I N D E - P R I V A T E D E A L E R
Please contact vilisinde@gmail.com
Richard Long
Richard Long - Big Bend Straight Hour (1990)
Joan Mitchell
TREES I (1992) / Color lithograph on two sheets / 57” x 82” / Edition 31/34 / $42,000 unframed
JOAN MITCHELL’s Monumental prints.
Trees I and Trees II, printed at Tyler Graphics in 1992, were part of her last series of lithographs before her death in 1993. These wee among her largest, most powerful and best prints. The use of the diptych in her is reminiscent of many of Mitchell’s multi-panel paintings. The artist’s drawing was varied: a hard line, a smear, and flowing interplay of colors and lines.
Note: the image below (far left) depicts a 12'“ x 12” square of the print. The vertical center line is 1” wide. The true brilliance of technique and color are evident when one sees the actual piece. The image on the right shows Mitchell and Tyler in the print studio with Trees I on the back wall and Trees II upper right.
Joan Mitchell’s Paintings of How Trees Feel
In her art, “Mitchell found the perfect coalescence of past and present, internal and external, life and death. “I become the sunflower, the lake, the tree,” she once said. “I no longer exist.””
https://www.artsy.net/article/editorial-joan-mitchells-paintings-of-how-trees-feel
TREES II (1992) / Color lithograph on two sheets / 57” x 82” / Edition 32/34 / $42,000 unframed
Mitchell retrospective - March 2021
The upcoming retrospective of Joan Mitchell’s work was organized by the Baltimore Museum of Art and San Francisco Museum of Modern Art (SFMOMA) and will open in March 2022. After traveling to these museums it will also dress the walls of the Guggenheim Museum of New York.
One of Mitchell’s last paintings “Merci” 1992. The similarities between bold and light treatment (curls and loops) are evident in both her paintings and her lithographs.
Arbres (Trees) (1992) triptych / Color lithograph - each Edition 123/125 / 30” x 22” sheet, 38” x 30” framed, Triptych - 38” x 126” / Sold
SIDES OF A RIVER I (1981) / Color lithograph 16/70 / 42-1/2” x 32-1/2” sheet, 48” x 38” framed / $26,000
Additional information:
The BMA and SFMOMA Co-Organize Comprehensive Retrospective of Work by Acclaimed Artist Joan Mitchell
https://www.sfmoma.org/press/release/joan-mitchell-retrospective/
An exceptional interview from 1991:
In Monet’s Light- New York Times Sunday Magazine Interview by deborah solomon
https://www.nytimes.com/1991/11/24/magazine/in-monet-s-light.html
Joan Mitchell Is Having More Than a Moment. Here’s How the Artist’s Foundation Has Championed Her Market and Legacy:
https://news.artnet.com/art-world/joan-mitchell-foundation-interview-1328939
donald Judd - unique drawing (1988)
Untitled (30/3/88) (1988) Graphite drawing / 17” x 14” / $30,000 (Welded metal frame)
Donald Judd - Woodcut (1993)
Untitled (Schellmann 297) 1993 /Woodcut in red and black / 23.5" x 31.5" / Edition of 150 / Signed and numbered verso / $14,500. This print was created as a single stand-alone print. It was not part of a larger suite or a pair like the majority of Judd’s prints.
Ted Ollier / 15 Graphic Judds / Copper shaped relief / Ed 60 / 30” x 7” / $500 unframed
Aerial view of concrete boxes
Visit The Marfa Store at 204 E Dean St while in Marfa or the online store at www.themarfastore.com